Deadtime Stories – Thick as a Brick

Hello friends, I hope this update finds you well, or in perpetual bondage. Whichever suits your preference. I’ve bene approached by two different businesses about doing some professional artwork which is great news financially but it throws a real monkey wrench in my Sessions studio time. That was the impetus for the shorter update last week. Ideas rattling around in the old skull bones said ‘give the people something to sink their teeth into, even if it’s just an appetizer.”

Thankfully I’ve been able to work on the storyboarding and the script and facesitting scene in the next update where Max and Victoria are back into the dungeon. Personally I love the grid layouts. It’s nice to work small, quick, and let the storytelling rhythm become the focal point. Here’s a glimpse at some opening images. Ideally I’ll share some of the facesitting sketches ASAP. I’d just like to have environmental / background stuff in them first.

Three digital illustrations by Deaddie Mercury of Maxine Moore arriving at the dungeon where Victoria works

Thanks as always for reading Sessions, whether you’re a free member, Behind Closed Doors, Filthy Connoisseur, or Patreon patron. While I’ve got some commercial artwork eating into studio time, Sessions has been such a joy to make that I am still eager to keep the story moving along. Craig’s month with Wraith is going to evolve and eventually end. Do you have any inclination as to who’s next?

Until next time, be good to yourself.

Deaddie